This Drifting Poo Was Way Too Meaningful! It's the Television Disappointments of the Past Year.

Looking back, we reflect on the TV landscape of the recent year, a selection of shows emerge not for their excellence, but for their spectacular shortcomings. From awkward sequels to confusingly bad docuseries, here are the productions that left us utterly bewildered or just reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive spin-off? Burdened with woeful scripts, painful arcs (we demand better for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the series fought to justify its existence. Briefly, as the final series started, it looked like it had at last hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the final series. It concluded on a bum note; the lingering shot of Miranda’s toilet full of poo was simply too symbolic. Still, viewers undeniably found joy picking apart every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her sprawling townhouse to Barry White, who didn’t release a small sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was practically the least of this drama's problems. The subject of a exceedingly uncommon zero star assessment, it was hard to know where to start listing the flaws. The laughably wooden writing? The tedious glorification of affluence and materialism? The almost deliberate procession of cliches? Acting so poor they felt borderline malicious? Suffice it to say “each and every one” and never speak of this series again. However, a second season has been ordered, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, domestic violence allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this three-part docuseries which chuckled along at Sheen’s various bouts of self-destructive hedonism while failing to tell us a single thing we weren't already aware of. Rather, it felt as if this volatile personality was being pandered to, so any pity this show might induce should be reserved for the people who have had to suffer proximity with this charming but flippant narcissist.

The Iris Affair

Of course we understood it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or destroy all of humanity. We persevered out of sheer love for its stars 
 but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately hacking Charlie with an axe 
 in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Shady characters convening in deserted boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its crime drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many look a little dated now, but at least they didn’t suffer the ignominy of having to accommodate baffling dialects. But there were plenty of other problems. Primarily that it was just really boring; a conflict over drug-selling territory between various London picaresques which seemed a bit basic.

The Meghan Markle Series

Given the extent to which she provokes the ire of the nation’s ostentatiously enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s televised forays into twee lifestyle as deliberate statements. But then you view them and are forced to concede that actually, they might have a point. It’s like watching a homeware catalogue come to life; a meme for wine o’clock with ideas of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark sayings and pointless crafting “tips” you’ll not remember instantly. All supported by vast, largely unearned wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be said about both Victoria Beckham and her journey with career, identity, self-worth. But for whatever reason, this three-part series chose not to explore them. Rather, the viewing was akin to consuming a sales brochure. She obviously has good reason to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any favours with this guarded letdown of a series.

The Inheritance

It should have been the next big hit – except even more extravagant, with a glamorous star playing dead and a well-known personality overseeing her inheritance. What more could you want? As players competed, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too confusing to explain what exactly was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The series ended up reeking of a production that was trying way too hard to live up to something far greater than it.

The Lena Dunham Romcom

How does one succeed a show that defined a generation? The expectation was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the abundance of celebrity friends involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd inclusion of talented younger comics, hopes were high. But unhappily, most of it didn’t land. A recurring sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a familiar irate mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there probably is an compelling drama to be made about the horrific 2007 murder, this was not it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right voice, lumbering from strangely jaunty, slightly mannered farce to inevitably, real-life horror. Complex? Perhaps. A total mess? Very much so.

The Maths Genius Thriller

We love the star 
 but did we believe him playing the greatest maths genius since, a man so smart he’s on the brink of a breakthrough that could destabilise society? Nope! This globe-trotting thriller about government agencies spying on – and killing off – academics honestly got more absurd by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator notorious for sexual escapades as she undertook her biggest feat yet. What on earth would possess her? What we craved was far greater interrogation of her actual psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who showed up to haul her son away from the queue. What we got was disturbing shots and absolutely no critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Ralph Shepherd
Ralph Shepherd

A seasoned gaming analyst with over a decade of experience in slot machine mechanics and casino industry trends.